.   Freeze Frame 587k download Image

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© 1983
9 min 38 sec
Super 8
16mm blow-up
Sixpack Film (Vienna)
Canyon Cinema (San Francisco)
      Beyond the pleasure of watching lies the pleasure of understanding, a non-directed understanding which is able to discover, beneath the redundancy of visual informations, its own way of watching.
The idea of the "frozen picture" (freeze frame) taken seriously.


Peter Tscherkassky

Freeze Frame is the best example of a filmic signifier from which the transparency and invisibility has been removed. Material which has been repeatedly re-filmed (a construction site, a rubbish incinerating plant, industrial graveyards, an antenna and line-drawing like frame that continually falls over) are exposed on top of each other. The result is that an unambiguous reading of the picture, to say nothing of their positioning in a fictive room cannot even be attempted. This type of calculated picture removal is carried to the point where the film strip is stopped in the projector (and hence the title) and burns.


Michael Palm

The visual background material for Freeze Frame consists of shots taken in a "redevelopment area" in Berlin, i.e. old buildings shortly before their demolition, filmed through a loo window which repeatedly slides in front of the houses like a shutter; shots from a construction site in Frankfurt; as well as of an incineration plant — the anus, as it were, of a city — where one can watch a huge grip arm and a worker pushing the garbage around. These pictures are set in contrast to pictures of visitors and participants at a neighborhood street festival, the kind where the city attempts to conceal itself behind a poor imitation of village charm. While the visual material is taken to the brink of collapse, the symmetry of urban architecture has drifted into the macrostructure of the film: with the A-B-C-D-C-B-A structure of its visual motifs, Freeze Frame has identifiable edges and a center. But I even dissolve this macrostructure in a finale in which the "edge" destroys itself and opens to the pure light of the projector lamp.


Peter Tscherkassky

Centre Georges Pompidou, Paris, acquired Freeze Framefor their permanent collection.
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