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    IIn the darkroom, 
        50 unexposed film strips were laid across a surface, upon which a frame 
        of La sortie des ouvriers de lusine Lumière was projected. 
        The stringing together of the individual developed sections make up the 
        new film, which reads the original frame like a page from a musical score: 
        within the strips from top to bottom and sequentially from left to right.
       
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