| . | Shot Countershot | |||
original gauge : distribution gauge : distributed by :  | 
     
      © 1987 22 sec silent Super 8 16mm blow-up Sixpack Film (Vienna) Light Cone (Paris) Canyon Cinema (San Francisco)  | 
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| The "Great 
      Syntagmatics of Film" by Christian Metz interprets the feature film 
      as reducible to autonomous segments, that are separated into autonomous 
      shots and syntagmas, whereby the latter can be separated into non-chronological 
      syntagmas (sequence of parallel montage) and chronological syntagmas. Within 
      these is again differentiation between descriptive and narrative syntagmas, 
      whereby the narrative syntagmas are divided into alternating syntagmas and 
      linear narrative syntagmas (the linear narrative syntagmas are thereby divorced 
      in scene and sequence). The shot-countershot-technique is a typical linear 
      narrative syntagma.. 
       
 
 
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